日本乱妇乱子视频网站_国产成人精品日本亚洲专区6_中字无码av电影在线观看网站_想看一级黄色片_亚洲乱亚洲乱妇67194老熟妇_免费看欧美一级特黄a大片一_国产视频第一页_国产又黄又刺激又爽视频黄_国产91精品看黄网站在线观看_免费看黄无码网站,AV网站免费线看精品,娇妻在办公室被C到娇喘,国产18禁黄网站禁片免费观看

  • 腹黑女主和洗白女配

    柳翠虎

    小說已完結(jié)27.25萬

    這里聚集了北京律師圈一群精致利己的男男女女。他們以愛情為籌碼為自己謀求利益,,在情感和金錢的誘惑中沉浮,。他們聰明而工于心計(jì),,知道如何為自己謀得最大化的利益;他們精明而毫無顧忌,,在愛情和友情里不動(dòng)聲色地套路算計(jì),。成人的世界里,不過是在誘惑,、自私,、權(quán)衡之下的,那么一點(diǎn)點(diǎn)真心,。

  • 連城三紀(jì)彥代表短篇精選集(全二冊)

    (日)連城三紀(jì)彥

    小說已完結(jié)27.13萬

    鼠之夜,,東京世田谷一家醫(yī)院的院長被一通電話叫出了門,再出現(xiàn)時(shí)已是一具尸體,。院長被利器刺中,,脖子上繞著兩圈鐵絲,死狀凄慘,。更讓警方疑惑的是,,死者身上穿著一件醫(yī)用白大褂,而且應(yīng)是死后兇手特意套上的,。兇手為何在行兇后還費(fèi)事地為尸體套上白大褂呢?無顏的肖像:美術(shù)大學(xué)學(xué)生旗野康彥沉醉于知名畫家荻生仙太郎筆下的一幅肖像畫,,畫中女孩那仿如凝視死亡深淵的眼睛讓他著迷,。旗野沒想到,不久后這幅畫就被送到了他面前,,只需他接受一項(xiàng)任務(wù)——以假身份參加一場拍賣會(huì),,無論出價(jià)多高,都要把一幅畫拍到手,。而那幅畫,,是一幅一模一樣的少女肖像。旗野感受到了陰謀,,卻身不由己地想觸碰畫中的秘密……

  • 人性的枷鎖(英文版)

    (英)W.毛姆

    小說已完結(jié)27.1萬

    《人性的枷鎖》是英國小說家毛姆的成名作,,也是他的代表作。同時(shí),,它也被認(rèn)為是毛姆的自傳體小說,。美國現(xiàn)代圖書館將此小說列為“20世紀(jì)英語世界最佳100部小說”中的一部,位列第66位,?!度诵缘募湘i》這部小說后來成為毛姆享譽(yù)最高、歷久不衰的作品,。讀過此書者,,很少有人能忘記主角菲利普在倫敦醫(yī)學(xué)院讀書時(shí)所經(jīng)歷的慘痛愛情經(jīng)驗(yàn),。那是全書最生動(dòng)精彩的地方,作者用戲劇性手法,,寫出人性的糾葛,。

  • 經(jīng)典英文小說:阿瑪達(dá)爾(套裝共8冊)

    Wilkie Collins

    小說已完結(jié)26.94萬

      The novel is a 19th-century semi-epistolary one. Armadale is a novel by Wilkie Collins, first published in 1864-66. Some linking passages consist of letters between the various characters, or of extracts from Lydia's journal, but the great majority of the text narrates the events as they occur. The novel has a convoluted plot about two distant cousins both named Allan Armadale. The father of one had murdered the father of the other (the two fathers are also named Allan Armadale).'The distortions of the plot, the violent and irrational reactions of the characters, reflect and dramatise the ways in which his readers' perceptions were distorted by the assumptions and hypocrisies of the society in which they lived,"writes Catherine Peters in the comment book.It is the third of Wilkie Collins's four 'great novels' of the 1860s: after The Woman in White (1859–60) and No Name (1862), and before The Moonstone (1868).